Get all 8 Mike Pace and the Child Actors releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Please Visit Your National Parks, End Times Behind (Pt.2), End Times Behind (Pt.1), Hazy, Hot & Humid, Smooth Sailing, Get Soft, "The Flood" b/w "Red Sauce Revisited", and Best Boy.
Mike Pace and the Child Actors New York
Mike Pace and the Child Actors is the new(ish) expectation-exceeding project from Mike Pace, formerly of Oxford Collapse.
If you like Mike Pace and the Child Actors, you may also like:
The Black Hole Understands
by Cloud Nothings
supported by 9 fans who also own “Troubleshooting”
I do love the Cloud Nothings. One of my favorite albums was their first one, but this one brings some new fun as well!
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We Have Amnesia Sometimes
by Yo La Tengo
supported by 8 fans who also own “Troubleshooting”
Me and my friend used to go on drives all the time, and a lot of the time i asked what he was playing, and a majority of the songs were from Yo La Tengo. And since i went and listened to And Then Nothing Turned Itself Inside-Out i was fan. Never thought i’d buy one of their records for myself.
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Dance Dance Dance b/w The Caveat
by Oxford Collapse
supported by 8 fans who also own “Troubleshooting”
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Former pageant queen Caroline Weinroth takes aim at the competitive world of Miss America with this bouncy, grungy power-pop EP.
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The Convincer (20th Anniversary Edition)
by Nick Lowe
Released in 2001, “The Convincer” is a gentle gem in the Nick Lowe catalog; an anniversary edition provides opportunity for rediscovery.
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The songs on “Gallery” are inspired by various works of art, lovingly translated into goth-tinged indie pop.
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supported by 7 fans who also own “Troubleshooting”
Up there with Joe's best -- it feels like it pulls from every record he's done before while still being completely distinct from any Cymbals record in the way it combines the psychedelia and accessibility with some of the lushest, most ornately arranged music I've heard. Plus the guitars still rock, the solos fucking slap, and the ballads somehow slap just as hard. The narrative based lyrics also hit a sweet spot in Joe's lyricism -- direct but inventive, descriptive and endlessly compelling.
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